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Fishman PRO PLT 301 Platinum Stage EQ DI Analog Preamp 2 FREE 10 GUITAR CABLES
$149.95
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Piezo Pickup Top Quality Pre Amp Unit for Acoustic Guitars Model EQ 7545R New
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pickup tuner preamp eq pickups for acoustic classic guitar
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LR Baggs Stagepro Element Preamp EQ with Chromatic Tuner +Picks
$179.00
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LR Baggs Beltclip Preamp with 3 Band EQ +Picks
$99.00
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DLuca 4 Band EQ Pre Amp Pickup Volume Control for Acoustic Guitars Kit
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Dean Guitar Pickups Equalizer Bridge BK CR F Spaced DPU EQ BC F
$69.00
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Dean Guitar Pickups Equalizer Bridge Nickel G Spaced DPU EQ NC G
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Dean Guitar Pickups Equalizer Bridge BK BK F Spaced DPU EQ BB F
$69.00
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45ap harness 2 band eq with preamp
$199.12
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Bartolini HR 52 AP 918 Pre Wired Harness 2 band EQ Volume Active Passive
$182.00
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2336 Alvarez Guitar RD26 Piezo Preamp EQ Pickup Tuner Set OEM Parts Project CBG
$49.99
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2502 Yamaha Guitar Preamp EQ Pickup Replacement Rubber Gasket OEM Parts Project
$7.99
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EMG BQS HZ System w Mid Freq Mid EQ on Stacked Pot Separate Bass Treble
$386.01
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OriGlam Pickup Tuner Preamp EQ Pickups for Acoustic Classic Guitar
$20.24
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Cherub G Tone GT 6 Acoustic Guitar Preamp Piezo Pickup 3 Band EQ LCD Tuner Y7R2
$28.68
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3 band acoustic guitar sound hole amplifier eq equalizer preamp piezo pickup
$18.90
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Kmise Z5216 Soft Sonicore Piezo Pickup Under Saddle for Fishman EQ Equalizer
$12.22
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OriGlam Pickup Tuner Preamp EQ Pickups for Acoustic Classic Guitar
$21.88
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3 Band CLASSIC ACOUSTIC GUITAR PREAMP EQ PICKUPS TUNER PIEZO 07C5
$31.13
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3 Band EQ Equalizer LCD Tuner Preamp Piezo for Acoustic Guitar with Reverb 07C6
$29.55
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Bartolini HR 53AP 918 Prewired Harness 3 band EQ Preamp Active Passive
$208.00
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KK Sound Pure Preamp EQ for Pure Mini Classic Bass Other Guitar Instr Pickups
$30.00
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KK Sound Pure Preamp EQ for Pure Mini Classic Bass Other Guitar Instr Pickups
$40.00
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OriGlam Pickup Tuner Preamp EQ Pickups for Acoustic Classic Guitar
$21.16
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Fishman Platinum Stage Analog Guitar Bass Preamp EQ DI w XLR Free AC Adapter
$149.95
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Musiclily Acoustic Guitar 3 Band Preamp Amplifier Equalizer EQ OP3 Piezo With
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LR Baggs Beltclip Preamp With Passive 2 band EQ
$124.99
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EQ 7545R Piezo Pickup Acoustic Guitar Preamp Amplifier Equalizer Tuner
$14.24
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Soft Sonicore Piezo Pickup Under Saddle for Fishman EQ Equalizer 80mm Length
$8.43
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Kmise Z5216 Soft Sonicore Piezo Pickup Under Saddle for Fishman EQ Kmise
$7.24
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KmiseZ5216 Soft Sonicore Piezo Pickup Under Saddle for Fishman EQ Equalizer 80mm
$8.92
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Origlam Pickup Tuner Preamp Eq Pickups For Acoustic Classic Guitar
$21.31
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OriGlam Pickup Tuner Preamp EQ Pickups for Acoustic Classic Guitar
$22.22
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EMG Alexi Laiho Signature Humbucker with ABQ Preamp EQ
$119.00
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Piezo Pickup Pre Amp Unit for Acoustic Guitars EQ 7545R
$14.96
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OriGlam Pickup Tuner Preamp EQ Pickups for Acoustic Classic Guitar
$20.42
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Cherub GT 4 Acoustic Guitar Preamp 3 Band EQ Pickup for Folk Acoustic Gui NEW
$27.73
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4 Band Acoustic Guitar Preamp Amplifier EQ 7545R Pickup Acoustic Guitar
$13.89
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1pkg Belcat EQ B2T 2 Band Active EQ Preamp Circuit for Bass Guitar with Outpu
$300.00
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KITARA Guitar EQ 7545R 4 Band EQ Equalizer System Acoustic Guitar Preamp Piezo p
$14.50
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KITARA Ukulele UKE Guitar 3 Bands Equalizer Pizeo Cable Pickup Eq Pre Amplifier
$20.61
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kmise c0101 5 pack 5 bands acoustic guitar preamp eq tuner piezo lc 5
$142.78
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Cherub GT 6 Guitar Preamp Piezo Pickup Reverb Delay Chrous Effects 3EQ US 1I0I
$56.55
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Piezo Pickup Pre Amp Unit for Acoustic Guitars EQ 7545R
$14.99
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KITARA Guitar EQ 7545R 4 Band EQ Equalizer System Acoustic Guitar Preamp Piezo p
$14.80
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DLuca 5 Band EQ Pre Amp Pickup LCD Tuner Volume Control Acoustic Guitars Kit
$49.95
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EMG ALX SET Alexi Laiho Signature Pickup Set w EQ Boost
$119.00
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cherub g tone gt 6 acoustic guitar preamp piezo pickup 3 band eq equal
$45.44
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EMG Alexi Laiho Signature Humbucker with ABQ Preamp EQ F Spaced
$119.00
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kmise a1384 1 pack uk 300t belcat rohs acoustic guitar 2 band eq ukulele
$48.12
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Bartolini HR 47AP Pre Wired 3 Band EQ Active Passive Preamp
$216.00
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LR Baggs StagePro Anthem Acoustic Guitar Microphone Pickup System w EQ Tuner
$299.00
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LR Baggs Gig Pro Lightweight Beltclip 3 Band EQ Acoustic Guitar Preamp GigPro
$99.00
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OriGlam 5 Band EQ Pre Amp Equalizer Pickup Acoustic Electric Guitar Tuner with
$16.77
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875 Washburn WA90CE Preamp EQ Pickup Tuner Set Replacement Used Tested Part DIY
$33.74
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2516 Yamaha Guitar Z1T APX Preamp EQ Only Replacement Used OEM Parts Project
$44.99
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2519 Yamaha Guitar AB1A Preamp EQ Only Replacement Used OEM Parts Project
$44.99
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2520 Yamaha Guitar Z1T APX 500 Preamp EQ Pickup Jack OEM Repair Part Project
$49.99
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Belcat Prener LC Acoustic Guitar Preamp EQ Piezo Pickup w Balance Output
$40.49
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OriGlam 5 Band EQ Pre Amp Equalizer Pickup Acoustic Electric Guitar Tuner with
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Belcat PRener SPII Acoustic Guitar Preamp 5 Band EQ Pickup Balance Output
$40.49
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KITARA Guitar EQ 7545R 4 Band EQ Equalizer System Acoustic Guitar Preamp Piezo p
$14.43
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B Band A3T Side mount Guitar Preamp EQ w Tuner Narrow UST Pickup
$99.00
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Acoustic 5 Band EQ Equalizer Guitar Preamp Pickup LCD High Quality R6E3
$11.27
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2X Acoustic 5 Band EQ Equalizer Guitar Preamp Pickup LCD High Quality I6F6
$17.92
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4X Acoustic 5 Band EQ Equalizer Guitar Preamp Pickup LCD High Quality O7V4
$34.36
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Acoustic 5 Band EQ Equalizer Guitar Preamp Piezo Pickup Tuner High Quality M1N8
$17.86
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Acoustic 5 Band EQ Equalizer Guitar Preamp Pickup LCD High Quality Durable Z6H3
$17.89
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4PCS 5 Band Acoustic Guitar Pickup Tuner EQ Equalizer Preamp Piezo NEW U9W9
$34.37
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4X Acoustic Guitar Preamp Piezo Pickup LCD Tuner 5 Band EQ Equalizer NEW R
$34.39
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4PCS Acoustic 5 Band EQ Equalizer Guitar Preamp Pickup LCD Pick up Durable X9M0
$32.59
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4PCS Acoustic 5 Band EQ Equalizer Guitar Preamp Piezo Pickup Tuner Durable P0Y2
$34.42
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4X Andoer Acoustic 5 Band EQ Equalizer Guitar Preamp Piezo Pickup Tuner LCD V8U9
$34.35
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4X LCD 5 Band Acoustic Guitar Preamp EQ Equalizer Prener Pickup Tuner C6K8
$34.38
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4X Acoustic 5 Band Eq Equalizer Guitar Preamp Pickup Lcd Tuner High Quality E3Q8
$34.34
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4X Acoustic 5 Band EQ Equalizer Guitar Preamp Pickup LCD Hi Quality Durable T9R6
$34.33
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4X Acoustic 5 Band EQ Equalizer Guitar Preamp Pickup LCD Black C6B3
$34.40
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4X Acoustic 5 Band EQ Equalizer Guitar Preamp Piezo Pickup Tuner Hi Quality R9N8
$34.30
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4PCS 5 Band Acoustic Guitar Pickup Tuner LCD EQ Equalizer Preamp Piezo U4S6
$32.60
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4PCS New Acoustic 5 Band EQ Equalizer Guitar Preamp Pickup LCD W6J9
$34.41
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Cherub GS 3 Acoustic 4 Band EQ Equalizer Guitar Preamp Piezo Amplifier with and
$20.46
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1 Set 3 Band EQ Preamp Circuit For Bass Pickup Active Premium Black US STOCK
$3.99
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Acoustic Guitar Pre wired Preamp Prener 5 Band EQ Equalizer Tuner Piezo Pickup
$18.00
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OriGlam Pickup Tuner Preamp EQ Pickups for Acoustic Classic Guitar
$20.85
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Acoustic Guitar Preamp Piezo Pickup LCD Tuner 5 Band EQ Equalizer NEW B0R4
$11.30
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Fishman Aura Onboard PRO Guitar Preamp EQ Mixer w Matrix Undersaddle Pickup 3 32
$499.95
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5 Band Acoustic Guitar Pickup Tuner LCD EQ Equalizer Preamp Piezo C7A0
$11.28
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Eq Pickup Guitar

Recording Tips: How to Make Better Mixes

Recording and mixing audio is truly an art form unto itself. Like playing bass, it’s the type of thing most people can pickup quickly and without much effort. Getting good at it can take years, however.

I’ve been recording in my home studio since 1995. When I go back and listen to my early demos, I am appalled. They sound horrific. The EQ is terrible, they are overly compressed, they’re muddy, and all of the tracks blend together into a massive “wall of sound” where no single instrument stands out. But I like to think my current work sounds infinitely better. Take a listen to the tracks on my Demos page. I mixed these in 2006 on a shoestring budget. My entire recording “studio” cost me $500. I used budget mics, budget preamps, and budget PC audio interfaces. (One interesting note: In the song Confession, I used a $400 mic on the words “Am I going crazy? Could you ever turn your eyes my way?” The rest of the song was recorded with a $65 microphone. To this day I can’t hear any difference in quality.)

What was the secret to making better mixes? It was simple. I listened.

I would listen to my mixes over, and over, and over, and then do it again. I listened to my songs on headphones, in my car, in my girlfriend’s car, on my home stereo system, on a portable CD player, etc. During every listening session I would find something that could be improved. Over time, I figured out the fundamental principles of good mixing. I also read plenty of industry magazines, online articles, Internet forums, and whatever else I could find that would enlighten a novice like me. In the end, I was able to produce mixes I was very happy with.

Here, then, are the biggest nuggets of wisdom I wish someone had preached to me in my early days:

  • You don’t need expensive gear. That’s right. Despite what manufacturers and retailers may say, the secret to good sound is not in the equipment. Using poor recording and mixing techniques on expensive gear will still result in a bad final product. It doesn’t matter how nice your API preamp or LA-2A compressor is. If you don’t know what you’re doing, the results will be garbage. Just like buying a custom Les Paul won’t make you sound like Jimmy Page! Once you’re able to produce good mixes on budget gear, you can justify a gear upgrade.
  • A little processing goes a long way. The abundance of VST and RTAS plugins is both a blessing and a curse. We musicians now have access to an endless collection of software compressors, equalizers, limiters, enhancers, reverbs, etc. But with this power comes responsibility. Use them sparingly! I once held the opinion that because I had tons of plugins at my disposal, I needed to use all of them as much as possible. I was wrong. Excessive plugin use can ruin a mix. These days I use very light compression and very subtle EQ adjustments, and the results sound much more natural.
  • Create “space” for each track. Every instrument should have its own “space” in the mix. By “space” I’m referring to track identity…the things that separate each track from the others, so they can be heard properly. Think of this way: When you take a big family photo, how is everyone positioned? Does everyone clump together randomly? Or does everyone organize according to height and spread out evenly? Your mixes are like musical photographs. Think of each track as an individual that should be noticed in some way. Track “space” can be created by using proper EQ techniques, stereo field placement, volume, compression, and reverb/delay settings. For example, bass guitar and kick drum occupy much of the same frequency range. If each is not EQ’d intelligently, they will step all over each other, and neither will be identifiable. There are tons of good Internet articles on this subject, so read up. I may even write one myself.
  • Understand how EQ and Compression works. You’ll be amazed at how much better your mixes will sound if you use proper EQ and Compression techniques. Each has its own set of rules, and the rules are specific for each type of instrument. For instance, electric guitar requires different EQ and Compressor settings than do vocals. Drums usually need a fast attack and quick release on the Compressor, while the opposite is true for bass. Again, there are plenty of online articles dedicated to this subject alone.
  • Carefully evaluate the mixes of your favorite artists. Everyone has their own taste. Whatever artist(s) inspire you with their sound, pay attention to the mix. Is it heavy on bass? Are the drums super compressed? Are the vocals subdued, or way out front? Study the sound carefully and try to emulate it. I’ve spent almost as much time listening to the sound of professional CD mixes as I have listening to my own. It’s very educational.
  • Last, but not least: DO NOT OVERCOMPRESS YOUR MASTER. You may not be aware, but there is a current trend in the recording industry to make every CD louder than its competitors. This is known as the "loudness war" and it is getting out of hand. Using insane levels of compression destroys the dynamics (the change between quiet and loud parts) of a mix. The end result is a song that stays at exactly the same level—insanely loud—the entire time. Not only does it sound unnatural, it causes listener “fatigue”. The human ear wants to hear natural changes in volume. It helps create more emotion in the listener. Your heavy and energetic chorus will have much more impact if it’s actually louder than your verse!  Be a part of the solution: Use your compressor and limiter wisely during the mastering stage! Even for rock music, you probably don’t want more than 3db of compression during your mastering.

That’s it for this article. I plan to write follow up articles that examine these topics, and more, in more detail. I hope this has been helpful.

Make music,
Dan

About the Author

Bassist, Songwriter, and Recording Engineer. View my site for music articles, demos, and more.
www.DanAtkinson.net
dan-atkinson.blogspot.com

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